Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin, 1907. 190 |
Intertextuality and Influence | Emily Gerard | The title of A Sensitive Plant comes from the poem of the same name by Percy Bysshe Shelley
: his sensitive plant, too, is human, in his case a male poet. The sensitive character depicted... |
Intertextuality and Influence | Mary Elizabeth Braddon | This story of infidelity features an Italian financier who as a furiously jealous foreigner is compared to Shakespeare's Othello. (At least Provana is not black Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson, 1910. 68 |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Intertextuality and Influence | Iris Murdoch | Her title applies to human beings an image which Percy Shelley
applied, in his Ode to the West Wind, to autumn leaves: like ghosts from an enchanter fleeing. Critic Peter J. Conradi
calls this... |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Marion Reid | Using rhetoric similar to that of abolitionists, Reid draws parallels between the plight of women and that of slaves. The title-page asks (in the words of Percy Bysshe Shelley
) Can man be free, if... |
Intertextuality and Influence | Mary Anne Duffus Hardy | Quoting a phrase originally used by the seventeenth-century Thomas Fuller
, she recalls how at the old slave mart people representing God's image, carved in ebony, were lined up like cattle for sale in most... |
Intertextuality and Influence | Sarojini Naidu | Clusters of poems in this volume bear epigraphs pointing to both Eastern and Western influences: The Flowering Year quotes Shelley
, while The Peacock Lute and The Temple: A Pilgrimage of Love quote Omar Khayyàm |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Sarojini Naidu | In one speech given in 1903, True Brotherhood, SN
advocates the spirit of brotherhood and equality as an antidote to provincialism, declaring I am a real democrat, because to me there is no difference... |
Intertextuality and Influence | Florence Farr | Farr quotes from a variety of sources, from the Book of the Dead and Iamblichus
's The Mysteries to Shelley
's Ozymandias. Farr, Florence. Egyptian Magic. Aquarian Press, 1982. 12-13, 15, 85 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
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