Blondel, Nathalie. Mary Butts: Scenes from the Life. McPherson & Company, 1998.
9
Ballets Russes
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Family and Intimate relationships | Mary Butts | Her accounts of her marriage were disingenuous in several respects. She described it as one of those War-marriages between very young people, |
| Family and Intimate relationships | Elizabeth Jane Howard | Jane Howard's mother, Katharine M. Howard
, née Somervell, the intellectual of her very musical family, had trained as a ballet dancer and had a brief career with Diaghilev
's Ballets Russes
under the name... |
| Intertextuality and Influence | Edith Sitwell | An influence here was the Ballets Russes
, especially Petrouchka. |
| Leisure and Society | Marie Belloc Lowndes | On these visits she was often too busy to visit her family members, who lived in relatively inaccessible places, but she loved the social and cultural life of Paris, and recalled her visit to the... |
Timeline
4 June 1910: Schéhérazade (with music by Nicolas Rimsky-Korsakov)...
Building item
4 June 1910
Schéhérazade (with music by Nicolas Rimsky-Korsakov
) was first performed in Paris by Diaghilev
's Ballets Russes or Russian Ballet
.
Laver, James, and Christina Probert. Costume and Fashion: A Concise History. Thames and Hudson, 1982.
224
Yarwood, Doreen. Five Hundred Years of Technology in the Home. B. T. Batsford, 1983.
256
Angeloglou, Maggie. A History of Make-up. Studio Vista, 1970.
115-16
6 March 1911: The Ballets Russes gave the final performance...
Building item
6 March 1911
The Ballets RussesSergei Pavlovich Diaghilev
gave the final performance of their first season (which included Le Dieu Bleu, L'Oiseau de Feu, L'Après-Midi d'un Faune, and Prince Igor) at Covent Garden Opera House
, in London.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
107
11, 14, and 23 July 1913: Diaghilev's Ballets Russes brought Igor Stravinsky's...
Building item
11, 14, and 23 July 1913
Diaghilev
's Ballets Russes
brought Igor Stravinsky
's Le Sacre du Printemps to London.
Schouvaloff, Alexander. The Art of Ballets Russes. Yale University Press in association with the Wadsworth Atheneum, 1997, http://U of A, Ruth N Flr 4.
291-5
1917: Russian ballerina Tamara Karsavina, formerly...
Building item
1917
Russian ballerina Tamara Karsavina
, formerly of the Ballets Russes
, married an English diplomat and moved to London, where she promoted the development of ballet in Britain.
Drogheda, Charles Garrett Ponsonby Moore, Earl of et al. The Covent Garden Album: 250 Years of Theatre, Opera, and Ballet. Routledge and Kegan Paul, 1981.
109
22 July 1919: Manuel de Falla's ballet set in eighteenth-century...
Building item
22 July 1919
Manuel de Falla
's ballet set in eighteenth-century Spain, The Three Cornered Hat, with sets and costumes designed by Pablo Picasso
, premiered at the Alhambra Theatre
in London, performed by the Ballets RussesSergei Pavlovich Diaghilev
.
Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992.
357
Boeck, Wilhelm, and Jaime Sabartés. Picasso. Thames and Hudson, 1955.
513
Texts
No bibliographical results available.