Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 378
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Catherine Cuthbertson | CC
published with Robinson
and Cradock and Joy
, in five volumes, Adelaide; or, The Counter-Charm. A Novel, anonymously but for mention of her previous titles. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 378 Critical Review. W. Simpkin and R. Marshall, 5 series. (1813) 4th ser. 4: 559 |
Textual Production | Anna Seward | |
Textual Production | Sophia Lee | It occupied six volumes, published with Robinson
. It was, she says, the first of all her works to be written, although almost the last to appear. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, 2000, p. ix - lii. xxvi-xxvii |
Textual Production | Catherine Cuthbertson | It came out in four volumes from Robinson
, but many copies were burned in a warehouse fire. After this The Lady's Magazine reprinted it as a serial beginning in February 1804. Mayo, Robert. The English Novel in the Magazines, 1740-1815. Northwestern University Press, 1962. 232 |
Textual Production | Catharine Macaulay | |
Textual Production | Mrs E. M. Foster | Another doubtful ascription to MEMF
was Light and Shade, published in four volumes by |
Textual Production | Ann Radcliffe | |
Textual Production | Anna Maria Mackenzie | The future AMM
, now Mrs Johnson, published her third novel, Retribution, as by the Author of The Gamesters, through another publisher new for her, G. G. J. and J. Robinson
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 444 |
Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
Textual Production | Anna Maria Mackenzie |
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