Cambridge University

Connections

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Textual Features Queen Elizabeth I
Her speeches in general are models of grand and persuasive rhetoric; they are designed to inspire patriotism and loyalty, while refusing to be pinned down on policy detail. Elizabeth's frequent references to her gender combine...
Textual Features Julia Frankau
Stephen Lock suggests in his introduction to the 1989 reprint that this novel is à clef: that JF 's Phillips (whose name, before the publisher suggested a change, was Dr Abrams) was modelled on Ernest Abraham Hart
Textual Features Elizabeth Elstob
Her letter, addressed to her prebendary uncle, Charles Elstob , mentions her deference to his judgement, and the favour she has received from both Oxford and Cambridge Universities . Female modesty, she says, prevents her...
Textual Features Cecily Mackworth
At last he says he will teach her no more: he feels he is leading her into the temptation of worldliness. Mr Howells, it turns out, once studied at Cambridge (as the first scholarship boy...
Textual Features Helen Oyeyemi
This is HO 's haunted house novel; she reports having been inspired by Shirley Jackson 's The Haunting of Hill House.
Harrison, Niall. “Throwing Voices And Observing Transformations: An Interview With Helen Oyeyemi”. Strange Horizons, 2013.
The novel, which opens with an epigraph from African-American poet Gwendolyn Brooks
Textual Features Richmal Crompton
Donald Crofton, one of the comparatively few male protagonists in RC 's oeuvre, returns home at the beginning of the novel, from university life at Cambridge to a long summer with his close-knit family. His...
Textual Features Ethel Sidgwick
Though she calls her work a memoir, ES spends only twenty-six pages writing about Eleanor Sidgwick's childhood, and gives much of the text to the history of Newnham, before as well as during her aunt's...
Textual Features Q. D. Leavis
QDL 's thesis was influenced by various sources as well as her husband's dissertation. As Ian MacKillop notes, her work recalls Wordsworth 's campaign against the gross and violent stimulants
qtd. in
MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane, 1995.
140
of his time.She quotes...
Textual Features Jane Ellen Harrison
Harrison's memoir is light in style and content. The author skims over events in her life from her childhood to the end of her formal professional life with her retirement from Cambridge University . However...
Textual Features Q. D. Leavis
QDL 's review constitutes a personal and professional attack on Woolf, based primarily on three fronts: education, domesticity, and class. A footnote asserts that Woolf commenting on women's institutional education is voicing an opinion on...
Textual Features Margaret Atwood
Negotiating with the Dead, A Writer on Writing, 2002, presents essays on the motives that make people into writers, on the trajectories of their lives, on her own experience, responses to her work, rewards...
Textual Features Alexander Pope
The play is remarkable among its other fun for a minor characater, Phoebe Clinket, an unhinged woman poet. She was wrongly identified in Edward Parker 's Key as Anne Finch , a mistake which has...
Textual Features Beatrice Harraden
They wanted, they said, to build up and develop in the very heart of the British Empire the opportunities offered to all women students of all nations.
“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
(29 March 1906): 8
Apparently they were thinking...
Textual Features Judith Kazantzis
Again contemporary documents in facsimile accompany explanatory broadsheets (on the suffrage campaign itself and contextual subjects beginning with The Prison House of Home) and an illustrated timeline, Women in Revolt, running from 1743...
Textual Features Virginia Woolf
Whatever the truth of that, she wrote in full consciousness of outsider status, both delight[ing] in the patriarchal anonymity of the TLS and simultaneously tilt[ing] at it.
Wood, James. “Phut-Phut”. London Review of Books, 27 June 2002, pp. 11-12.
11
She used the conventional one for I...

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