Colette,. Lettres à Sa Fille, 1916-1953. Editor Jouvenel, Anne de, Gallimard, 2003.
29n1
Stage Society
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | Christopher St John | CSJ
had performed at a private party as a child, cross-dressed, by singing a comic popular song. As Christabel Marshall she had performed with the Stage Society
at the Garrick Theatre
in London in Gilbert Murray |
| Performance of text | Colette | She was revising the novel at Rozven in Brittany (near St Malo) in July 1919. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Performance of text | Una Troubridge | The Stage Society
produced UT
's theatrical version of Colette
's Chéri at the Prince of Wales Theatre in London. Ormrod, Richard. Una Troubridge: The Friend of Radclyffe Hall. Carroll and Graf, 1985. 202 Cline, Sally. Radclyffe Hall: A Woman Called John. John Murray, 1997. 290 |
| Performance of text | Christopher St John | CSJ
's first dramatic adaptation/translation, The Good Hope, done in collaboration with Jacob Thomas Grein
, was produced by the Stage Society
at the Imperial Theatre
, London. Who Was Who in the Theatre: 1912-1976. Gale Research, 1978, 4 vols. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 928 Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998. 219 |
| Performance of text | Christopher St John | CSJ
's adaptationFyodor Mikhailovich DostoevskyThe Brothers Karamazov was first performed by the Stage Society
at the Aldwych Theatre
, London. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 928 |
| Performance of text | Christopher St John | CSJ
's translation The Hired Girl, from Herman Heijermans
's De Meid, was first performed by the Stage Society
at St Martin's Theatre
, London. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 928 |
| Textual Production | Christopher St John | The Pioneer Players
' production of this play was remarkable in that the society continued to perform controversial, thought-provoking plays during wartime when others (such as the Stage Society
) turned to plays less likely... |
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