Critical Review. W. Simpkin and R. Marshall, 5 series.
55 (1783): 152
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Charlotte Smith | Her former publisher, the firm of Cadell
, was just passing to a new generation. Both Thomas Cadells
, father and son
, and William Davies (partner of the latter) found Desmond too revolutionary: it... |
Publishing | Frances Brooke | It became a dazzling hit in England and other countries, performed in every year until the end of the century, and frequently reprinted after Cadell
first published it early in 1783. Critical Review. W. Simpkin and R. Marshall, 5 series. 55 (1783): 152 |
Publishing | Lady Charlotte Bury | |
Publishing | Charlotte Smith | The publication was initially turned down by Cadell and Davies
. The two-volume edition was published by Sampson Low
in 1800. They published a third volume in 1801, and two further volumes followed from Longman and Rees |
Publishing | Susan Ferrier | Having lost money by SF
's previous novel, Blackwood
refused this one, which set her on her high horse about the crass commercialism of publishers. The novel was brought out instead by Thomas Cadell
... |
Publishing | Ann Yearsley | Two further editions of Poems, on Several Occasions, issued by the original publisher, Thomas Cadell
, brought in a further £250. After breaking with Hannah More, AY
issued in 1786 a fourth edition through... |
Publishing | Ann Radcliffe | Its full title was The Italian, or, The Confessional of the Black Penitents. A Romance. For the copyright of this novel, the author and her husband received £800 from the publishers, Cadell and Davies |
Reception | Hannah More | |
Reception | Hannah More | The Monthly Review for February carried an enthusiastic review by HM
's unsuccessful suitor John Langhorne
. Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 19 Critical Review. W. Simpkin and R. Marshall, 5 series. 41 (1776): 237 |
Textual Production | Helen Maria Williams | It appeared in two volumes from Cadell
. It was advertised in March, and in April Williams sent a copy to Anna Seward
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 519 Michael-Johnston, Georgina. Helen Maria Williams: Liberty, Sensibility, and Education. University of Alberta, 1998. 149, 156 |
Textual Production | Hannah More | HM
published anonymously with Cadell and Davies
her Hints Towards Forming the Character of a Young Princess. Feminist Companion Archive. Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 186 and n9 |
Textual Production | Elizabeth Griffith | |
Textual Production | Hannah More | Sir John Addington
took the first portion Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta, 1999. 155 Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta, 1999. 155 Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 200 |
Textual Production | Helena Wells | It was issued by Cadell and Davies
, with title-page reference to The Step-Mother and a quotation from Akenside
on virtue as a source of happiness. HW
's preface, composed while living in Westminster... |
Textual Production | Charlotte Smith | CS
's Celestina: A Novel, her third to bear its heroine's name as title, was advertised by Cadell
as just published. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 548 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press, 1971. xxiii Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 388 |
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