Royal Court Theatre

In a collaborative play at the Royal Court Theatre Upstairs entitled Falkland Sound/Voces de Malvinas and based on actual letters (those of David Tinker ) and interviews, LP addressed the topic of war, its slaughter...

CC 's double bill of plays entitled Blue Heart of Blue/Heart began its tour with the Out of Joint and Royal Court theatre companies at Bury St Edmunds, moving soon afterwards to the Edinburgh Festival

SD 's play The Devil's Gateway was first performed at the Royal Court Theatre Upstairs.

Looking back at her time at the Royal Court from 1984, however, AJ commented: I was awfully blind—I'm one of the ones that's been re-educated. . . . I didn't appreciate what tremendous disadvantages I...

AJ was one of the new, post-war generation of playwrights associated with the Royal Court , who helped to revitalise theatre in Britain in the late 1950s and early 1960s. Her early plays, whose plotlessness...

SD began writing after reading an injunction from Doris Lessing about putting one's life in order. Some fringe plays that she attended were absolutely dreadful, which made her confident that she could do better...

The play opened in Cambridge because the Royal Court , despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ credits John Osborne for persuading them to produce...

AJ later described this play as a flop d'estime. Critics found it baffling, and faulted her for not providing a stronger plot and more engaging characters. Commercially, the play was a resounding...

Michael Coveney and David Edgar counted this, with The Knack, part of a legendary canon in Sloane Square (home of the Royal Court Theatre ).

CC 's A Number (a play about cloning, whose characters are exclusively male) opened at the Royal Court Theatre in London, directed by Stephen Daldry .

This play was the first by a woman to be staged by the RSC in Stratford. PG originally wrote it for the Royal Court Theatre at the request of playwright Ann Jellicoe , who was...

MS must have been still at the threshold of her career as a dramatist when she proposed to Angela Brazil that she should do a stage adaptation of one of Brazil's school stories. Brazil quashed...

Its original production was at the Royal Court Theatre in London 1958. In April 2015 a revival opened at the Orange Tree Theatre at Richmond in Surrey.

London's Royal Court had been vying with New York for the world premiere. Not I, Footfalls, and Rockaby (1981) were all associated with the actress Billie Whitelaw .

The play was commissioned by Michael Codron , an influencial theatre producer who had backed Harold Pinter and Joe Orton . The production marks the beginning of CC 's long association with the Royal Court