Bibliography

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Cooper, Lettice. Fenny. Gollancz, 1968.
Cooper, Lettice. George Eliot. Published for the British Council by Longmans, Green, 1951.
Cooper, Lettice. George Eliot. Published for the British Council and the National Book League by Longmans, 1960.
Cooper, Lettice. Great Men of Yorkshire (West Riding). Bodley Head, 1955.
Cooper, Lettice. Late in the Afternoon. Gollancz, 1971.
Cooper, Lettice. National Provincial. Gollancz, 1938.
Cooper, Lettice. Snow and Roses. Gollancz, 1976.
Cooper, Lettice. The Double Heart. Gollancz, 1962.
Cooper, Lettice. The Double Heart. Gollancz, 1968.
Cooper, Lettice. The Lighted Room. Hodder and Stoughton, 1925.
Cooper, Lettice. The New House. Gollancz, 1936.
Cooper, Lettice. The Ship of Truth. Hodder and Stoughton, 1930.
Cooper, Lettice. Unusual Behaviour. Gollancz, 1986.
Cooper, Lettice. We Have Come to a Country. Gollancz, 1935.
Cooper, Maria Susanna. Jane Shore. Becket, 1776.
Cooper, Maria Susanna. Letters Between Emilia and Harriet. R. and J. Dodsley, 1762.
Cooper, Maria Susanna. Moral Tales. Becket, 1810.
Cooper, Maria Susanna. The Daughter. J. Dodsley, 1775.
Cooper, Maria Susanna. The Exemplary Mother. T. Becket and P. A. De Hondt, 1769, 2 vols.
Cooper, Maria Susanna. The History of Fanny Meadows. Becket, 1775.
Cooper, Maria Susanna. The School for Wives. R. and J. Dodsley, 1763.
Cooper, Maria Susanna. The Wife, or Caroline Herbert. Becket and Porter, 1813.
Coote, Jack H. The Illustrated History of Colour Photography. Fountain Press, 1993.
Cooter, Roger. “Phrenology and British Alienists, ca. 1825-1845”. Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era, edited by Andrew Scull, University of Pennsylvania Press, 1981, pp. 58-104.
Cope, Esther S. Handmaid of the Holy Spirit: Dame Eleanor Davies, Never Soe Mad a Ladie. University of Michigan Press, 1992.
Cope, Virginia H. The Ladies. http://etext.virginia.edu/ladies/ladyhome.html.
Cope, Wendy. “’We like being married but we should have had a choice’”. theguardian.com, 14 Feb. 2014.
Cope, Wendy. “A curse on late payers”. The Author, Vol.
119
, No. 2, 1 June 2008– 2024, p. 57.
Cope, Wendy. Across the City. Priapus Press, 1980.
Cope, Wendy. Anecdotal Evidence. Faber, 2018.
Cope, Wendy. “Differences of Opinion, Wendy Cope”. Poetry Foundation, Feb. 2006.
Cope, Wendy. “Do you like my poems? So pay for them”. Guardian Weekly, 8 Dec. 2007.
Cope, Wendy. Family Values. Faber, 2011.
Cope, Wendy. If I Don’t Know. Faber and Faber, 2001.
Roche, Christine. Is That the New Moon?. Editor Cope, Wendy, Lions, 1989.
Cope, Wendy. “Letter”. The Author, Vol.
cxiii
, No. 1, 1 Mar.–31 May 2002, p. 38.
Cope, Wendy. “Letter”. The Author, Vol.
cxv
, No. 4, 1 Dec.–28 Feb. 2004, p. 187.
Cope, Wendy. Life, Love and The Archers. Two Roads, 2014.
Cope, Wendy. Making Cocoa for Kingsley Amis. Faber and Faber, 1986.
Cope, Wendy. “On Erith: ’A place few people have heard of and even fewer can pronounce’”. theguardian.com, 5 May 2018.
Cope, Wendy. Serious Concerns. Faber and Faber, 1992.
Cope, Wendy, and Nicholas Garland. The River Girl. Faber and Faber, 1991.
Cope, Wendy, and Sally Kindberg. Twiddling Your Thumbs. Faber, 1988.
Cope, Wendy. Two Cures for Love, Selected Poems, 1979-2006. Faber, 2008.
Cope, Wendy. “Two Sonnets for Shakespeare 400”. The Guardian, 23 Apr. 2016, p. Review 5.
Cope, Wendy. “Women’s Poetry Competition 2006”. Mslexia, No. 30, July 2006, pp. 31-2.
Cope, Wendy. “Women’s Poetry Competition 2014”. Mslexia, No. 63, Sept. 2014, pp. 27-9.
Cope, Wendy. “Writers’ Rooms”. theguardian.com, 14 Feb. 2009.
Cope, Wendy. “Writing to length”. Mslexia, No. 25, Apr. 2005, p. 47.
Copeland, B. Jack. Colossus: The Secrets of Bletchley Park’s Codebreaking Computers. Oxford University Press, 2006.