Kate Flint

Standard Name: Flint, Kate

Connections

Connections Sort descending	Author name	Excerpt
Anthologization	Christina Fraser-Tytler	Aside from the title story, this volume contains Forty Years Ago, A Sea-Side Story, Harold's Wife, and Margaret. The last of these stories was reproduced in Kate Flint 's 1996 anthology Victorian Love Stories. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Flint, Kate, editor. Victorian Love Stories. Oxford University Press, 1996.
Anthologization	Flora Annie Steel	From this Kate Flint selected Uma Himãvutee to include in Victorian Love Stories, 1996.
Anthologization	George Egerton	GE 's A Little Grey Glove, written in 1893, is included by Harold Orel in Victorian Short Stories 2: The Trials of Love, 1990, and by Kate Flint in Victorian Love Stories: An Oxford Anthology, 1996. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Literary responses	Augusta Webster	Portraits, a sustained feminist engagement with the form of the dramatic monologue, remains AW 's most studied work. While clearly influenced by male practitioners, Browning in particular, her poems operate quite differently from many...
Literary responses	George Paston	Scholar Kate Flint in the Oxford Dictionary of National Biography calls GP 's Times obituary a remarkably strong anti-feminist polemic, which takes the view that Paston's outmoded stress on women's issues was responsible for her...
Literary responses	Dorothy Boulger	Kate Flint in the Oxford Dictionary of National Biography calls this a stilted historical romance. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Literary responses	Rhoda Broughton	Critic Kate Flint , in an entry on RB for the Oxford Dictionary of National Biography, describes her style as notable for its directness of tone. She often uses a first-person narrator, who addresses...
Literary responses	Mary Angela Dickens	Kate Flint has claimed the story is a justifiably angry feminist polemic against men who seduce women and then try to argue their way out of it. Flint, Kate, editor. “Introduction”. Victorian Love Stories: An Oxford Anthology, Oxford University Press, 1996, p. vii - vix. xii Harriet Devine Jump sees MAD as participating...
Reception	Mary Angela Dickens	MAD 's fiction appears in anthologies produced during a recuperative phase of feminist literary studies in the late 1990s. Kate Flint includes her An Idyll of an Omnibus, a story from Some Women's Ways...
Textual Features	Laurence Alma-Tadema	The stories are linked by their various associations with a little ivory crucifix which appears in each. They therefore stand close to the tale-told-by-inanimate-object genre, though here a human narrator summons the scenes at which...
Textual Features	Rhoda Broughton	Critics have pointed to a range of influences and allusions in this novel. Kate Flint has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde , who...
Textual Features	George Eliot	This is unique among GE 's fiction in having a first-person male narrator, Latimer, who is also the only one among her characters to deal in the occult. In his case it is the gift...

Timeline

1851

French medical researcher Charles-Edouard Brown-Séquard experimented with the effects of blood transfusion on the responsiveness of nerves in human corpses.

Flint, Kate. “Blood, Bodies, and The Lifted VeilNineteenth-Century Literature, Vol.

, No. 4, 1997, pp. 455-73.

463-465

Texts

Flint, Kate. “’ . . . as a rule, I does not mean I’: Personal identity and the Victorian woman poet”. Rewriting the Self: Histories from the Renaissance to the Present, edited by Roy Porter, Routledge, 1997, pp. 156-66.

Dickens, Mary Angela. “An Idyll of an Omnibus”. Victorian Love Stories: An Oxford Anthology, edited by Kate Flint, Oxford University Press, 1997, pp. 410-22.