Mark Ravenhill

Kane used this pseudonym to conceal her identity, first at a lunchtime reading and then at the Traverse Theatre, in an attempt to cast off her reputation for obscenity and violence. The programme included a...

Susanne Greenhalgh faulted the revised Post-War British Drama for being explicitly gendered and highly selective, insufficiently attentive to recent playwrights like Sarah Kane and Mark Ravenhill , and for declining to engage with the...

Meanwhile fellow-playwright Mark Ravenhill , having initially concluded from the reviews that this was a bad play, was astonished at reading the first few lines and knowing that I was in the hands of a...

In its original form, says Greenhalgh, this book reflects MW 's roles as playwright, reviewer, and Leavisite student of English literature. The revised form considers the impact of feminism, socialism, and changing concepts of...