Claude Debussy
Standard Name: Debussy, Claude
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Edith Mary Moore | An epigraph quotes from Maeterlinck
's libretto for Debussy
's opera Pelleas et Melisande, 1892: Nous ne voyons jamais que l'envers des destinees . . . l'envers meme de la notre. The novel divides... |
| Occupation | Una Troubridge | By the age of sixteen, UT
had begun receiving commissions for her sculptures and had rented a studio of her own in which to exhibit her works. The money she earned from these commissions gave... |
| Occupation | Viola Tree | VT
gave a concert at the Aeolian Hall
in London. She sang French songs, including some by Claude Debussy
and Maurice Ravel
. The Æolian Hall was the venue for Edith Sitwell
's notorious... |
| Occupation | Nina Hamnett | She also did modelling for other artists (either professionally or for friends), and once danced naked for a crowd at Wassilief's academy (including Zadkine
and Modigliani
) to Claude Debussy
's Golliwog's Cakewalk. NH |
| Textual Production | Edith Lyttelton | Upton first used a drawing of one of her own childhood dolls, a black minstrel doll, to illustrate Adventures of Two Dutch Dolls and a Golliwogg, a book written by her mother, Bertha Upton |
| Textual Production | Jeanette Winterson | Her contributors included Ali Smith
on Beethoven
's Fidelio, Anne Enright
on Dvorak
's Rusalka, Jackie Kay
on Janacek
's The Makropulos Case, Joanna Trollope
on Donizetti
's L'Elisir d'Amore, Kate Atkinson |
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Texts
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