Frances Burney
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Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB
, renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Meeke | The setting is pre-revolutionary France. The novel opens with a maxim about the difficulty of unequal friendships. It proffers its story as an exception to this rule, relating the most tender affection Meeke, Elizabeth. Count St. Blancard. Facsimile edition, Arno Press, 1977, 3 vols. 1: 3 |
Intertextuality and Influence | Julia Frankau | This tie broadens the social scope of the novel. Karl is Jewish but not an observant Jew. He wishes he could believe in Christianity for its redeeming message and wants to extend that choice to... |
Intertextuality and Influence | Ann Oakley | AO
calls this book a mixture of scientific fastidiousness and poetic licence. Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell, 1986. 9 Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell, 1986. 3 |
Intertextuality and Influence | Catherine Cuthbertson | The troubles of the pattern, orphan heroine, Julia De Clifford, are fairly conventional. Her father was the younger son of a noble family, disinherited in spite of being a military hero; when she enters fashionable... |
Intertextuality and Influence | Catherine Gore | According to the Athenæum's review, the professed object of this play is to teach wives to avoid even the most innocent coquetry. Athenæum. J. Lection. 195 (1831): 477 |
Leisure and Society | Joanna Baillie | In the earlier 1840s, however, she was still a keen reader. She tackled the first edition of Frances Burney
's Diary and Letters out of a desire to get some insight into the literary society... |
Literary responses | Georgiana Fullerton | Henry Fothergill Chorley
, reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen
's Emma; he also drew parallels with Frances Burney
's Cecilia... |
Literary responses | Charlotte Lennox | CL
kept copies of a number of verse tributes to her talents. She was one among the painter Richard Samuel
's The Nine Living Muses of Great Britain in 1778 (exhibited 1779). Isles, Duncan. “The Lennox Collection (Concluded)”. Harvard Library Bulletin, Vol. 19 , No. 4, Oct. 1971, pp. 416-35. 429-31 Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford, 1998. 199 |
Literary responses | Catherine Gore | The year after these two novels appeared, a writer in The New Spirit of the Age measured CG
unflatteringly against the humour of Frances Burney
or the lifelike precision of Jane Austen
, but credited... |
Literary responses | Elizabeth Hervey | The Critical Reviewread this pleasing and interesting story as an imitation of Burney
's Cecilia.If there is a fault, it suggested, it was the structural fault of raising and solving one difficulty... |
Literary responses | Ann Radcliffe | Samuel Taylor Coleridge reviewed this novel somewhat belatedly for the Critical Review. Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books, 1997. 81 |
Literary responses | Elizabeth Bonhote | The Critical Review placed this novel in the middle of the first rank of fiction, calling it very interesting and pleasing qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 468 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 468 |
Literary responses | Ellis Cornelia Knight | Dinarbas was popular during ECK
's lifetime. It warranted fairly favourable mention from Frances Burney
, who wrote to a friend that if you could overlook the presumption of the idea of writing a continuation... |
Literary responses | Anna Maria Mackenzie | Neither the Critical nor the Monthly reviewer (the latter of whom was Andrew Becket
) seems to have looked back at notices of The Gamesters, since both assumed that the author of this novel... |
Literary responses | Jane Austen | Some Austen news items are regrettable. In an interview with the Royal Geographical Society
in June 2011, V.S. Naipaul
, in asserting his own superiority to women writers (and claiming he could tell male from... |
Timeline
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Texts
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