John Milton

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Standard Name: Milton, John

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence B. M. Croker
The first chapter is has an epigraph from Pope (A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton and...
Intertextuality and Influence Frances Jacson
The title-page quotes from Milton 's Samson Agonistes. An address To the Dethroned Sovereign Truth hopes for the restoration of this power which, says the author, is still present although obsolete and obscure. Her...
Intertextuality and Influence Mrs E. M. Foster
As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in...
Intertextuality and Influence Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006.
34
In tracing the story to before the Act...
Intertextuality and Influence Anne Grant
Charlotte Lennox is alluded to in this book (though AG gives her birth name wrongly as Massey),
Grant, Anne. Memoirs of an American Lady. Longman, Hurst, Rees and Orme, 1808, 2 vols.
1: 21n
along with the more highly-ranked Milton and Johnson (whose Life of Savage she echoes, without naming...
Intertextuality and Influence Margaret Croker
The title-page quotes from Milton 's sonnet on his dead wife. The text quotes from Pope and Young . MC emphasises real, sincere emotion (her only recommendation, she says) in her dedication, in the advertisement...
Intertextuality and Influence Anna Seward
AS was writing religious verse at ten or twelve years old.
Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931.
8
When she was fifteen Erasmus Darwin , who had formed a high opinion of the originality of her verses, took an opportunity while...
Intertextuality and Influence Anne Grant
As well as her central allusion to Barbauld, AG claims authority for her work by quoting Milton on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...
Intertextuality and Influence Sarah Stickney Ellis
In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life...
Intertextuality and Influence Anna Seward
In metre and general tone it remembers Milton 's L'Allegro.
Intertextuality and Influence Phyllis Bottome
The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army , Navy , and Air Force , the Women's Auxiliary Services , and the lives of ordinary...
Intertextuality and Influence Elizabeth Freke
Most striking of all is A Diologue between the Serpentt and Eve, which may have been written on the model of the speeches in Milton 's Paradise Lost, but does not refer to...
Intertextuality and Influence Ann Radcliffe
Influences on AR 's writings include the opera, contemporary travel writers, and Joseph Priestley 's Course of Lectures on Oratory and Criticism, 1777.
Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999.
67
AR probably helped to produce the fashion for literary quotation...
Intertextuality and Influence Catharine Macaulay
By undertaking archival work in seventeenth-century pamphlets, CM set out to ensure that her history should surpass that of Hume (who was generally regarded as a Tory historian, though he was ambivalent about this label)...

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