Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Ann Jellicoe | The fanciful science-fiction drama presents a world ruled by Mother, who leads the older women of the world to banish men from society and from history. Schoolgirls are made to repeat the chorus, Shakespeare |
Textual Features | Elizabeth Singer Rowe | Her narrative, in iambic couplets, was influenced, as most biblical re-tellings were, both by Milton
's Paradise Lost and by Matthew Prior
's Solomon (which elsewhere she praised in verse). Lori A. Davis Perry
suggests... |
Textual Features | Elizabeth Smith | She then recorded how she look[ed] back on my past life with shame and confusion, when I recollect the many advantages I have had, and the bad use I have made of them. Smith, Elizabeth, 1776 - 1806. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell, 1809. 85 |
Textual Production | Evelyn Underhill | In a letter she wrote in December 1892, on the eve of her seventeenth birthday, she assesses the religious and other opinions she held during a period of her life that was about to close... |
Textual Production | Mary Delany | |
Textual Production | Elizabeth Pipe Wolferstan | The title-page bore her name and a quotation from Milton
. This book advertised her novel from nearly thirty years ago. Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss. forthcoming |
Textual Production | Anne Hunter | Haydn had taken with him an anonymous English libretto (based on the book of Genesis, the Psalms, and Milton
's Paradise Lost) when he left England in 1795. From this Gottfried van Swieten |
Textual Production | Eleanor Farjeon | At eight, she produced her first play, The Fairy Cave, in seven acts. The stage direction for the last began, A gorden it is night Enter gardner with spad, and with a gun Jack... |
Textual Production | Helen Maria Williams | |
Textual Production | Eiléan Ní Chuilleanáin | Her own essay here is Obscure and Giddy Sects: Milton
and the Scandal of Divorce. |
Textual Production | Georgiana Cavendish Duchess of Devonshire | This edition brings together the duchess's work with that of others including Burns
. OCLC records only a single extant copy, at the University of British Columbia
. Saint Gothard would certainly have appeared in... |
Textual Production | Anna Letitia Barbauld | She also kept up her output of political poetry. Only a few years after this Hannah More
's Bishop Bonner's Ghost (a ballad extolling, through irony, the modern, enlightened Church of England
) drew from... |
Textual Production | Phillis Wheatley | The claim of the preface that PW
wrote for her own amusement, without thought of publication, and was now yielding to the persuasions of generous friends, may be taken with a grain of salt. She... |
Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats, 1770. prelims |
Textual Production | Hélène Gingold | This bore both her birth and married names (Mrs. Laurence Cowen) and sold for one shilling, dedicated to the Members of the London Stock Exchange
. In an introduction she mentions the libel... |
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