Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | H. D. | H. D.
published By Avon River: the Avon is the one flowing through Stratford, and the book celebrates the Shakespeare
an moment in literature. Boughn, Michael. H.D.: A Bibliography 1905-1990. University Press of Virginia, 1993. 40-1 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Marie Belloc Lowndes | MBL
's From the Vasty Deep is a thriller titled from the boast of Shakespeare
's Glendower about his power to summon spirits, and published by November the same year. It takes for its protagonist... |
Textual Production | Eliza Parsons | Several sources, both early nineteenth-century and late twentieth-century, attribute this novel to Mrs [Elizabeth] Meeke
, even though the publisher, place of publication, and title-page mention of previous works all firmly tie it to EP |
Textual Production | Barbara Hofland | |
Textual Production | Eglinton Wallace | The title-page reads: The Conduct of the King of Prussia and General Dumouriez, Investigated by Lady Wallace. An epigraph quotes Shakespeare
's Othello: Nothing extenuate nor set down aught in malice. Wallace, Eglinton. The Conduct of the King of Prussia and General Dumouriez. 2nd Edition, J. Debrett, 1793. title-page |
Textual Production | Germaine Greer | GG
published a study of Anne or Ann Hathaway
which she entitled Shakespeare
's Wife. Shapiro, James. “Visible Woman”. London Review of Books, 4 Oct. 2007, pp. 29-30. 29 |
Textual Production | Eliza Nugent Bromley | ENB
dedicated this work, with permission, to the Duke of York
; it had more than a hundred subscribers, including such Tory grandees as Henry Addington
, the current Prime Minister. It does not read... |
Textual Production | Elspeth Huxley | EH
thought a perfect precept for biography was voiced by Shakespeare
's Othello: nothing extenuate, nor set down ought in malice. qtd. in Nicholls, C. S. Elspeth Huxley. HarperCollins, 2002. 427 |
Textual Production | Charlotte Smith | This has her preface replying to hostile criticism of her for querulous egotism, qtd. in Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol. 9 , No. 3, 1 June 1998– 2024, pp. 363-92. 382 |
Textual Production | Ruth Rendell | In her novelNo More Dying Then (titled from the closing words of a Shakespeare
sonnet), RR
focused on bereavement and reconciliation. British Books in Print. J. Whitaker and Sons, 1874–1987. 1973 Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989. 312 |
Textual Production | Iza Duffus Hardy | IDH
published her first novel, Not Easily Jealous (whose title comes from one of the hero's final speeches in Shakespeare
's Othello). The OCLC WorldCat lists A Woman's Triumph, published this year, as... |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Theodora Benson | TB
published an account of her Asian journey of two years before, entitled (quoting Shakespeare
's Antony) In the East My Pleasure Lies. The same title was later used by Beryl Pogson
for a... |
Textual Production | Margaret Bingham Countess Lucan | Her most most notable illustrations were done between 1790 and 1806 for a 5-volume edition of Shakespeare
's history plays, extant at Althorp in Northamptonshire. Behrendt, Stephen C., and George Holmes, editors. “Irish Women Poets of the Romantic Period”. Alexander Street Press, 2008. |
Textual Production | Charlotte Stopes |
Timeline
No timeline events available.
Texts
No bibliographical results available.