Grant, Anne. Poems on Various Subjects. Printed for the Author by J. Moir, 1803.
40
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
Intertextuality and Influence | Medora Gordon Byron | Alexander Pope
is quoted on the title-page (An Essay on Criticism), James Thomson
at the head of the first chapter, John Langhorne
for another chapter. The novel opens in the new style of... |
Intertextuality and Influence | Anna Maria Mackenzie | The novel begins without preliminary paratext. An epigraph from James Thomson
(Ah! little think the gay licentious proud . . .) declares sympathy for the underdog, but this is not, as the title... |
Intertextuality and Influence | Anne Plumptre | AP
quotes Pope
on her title-page (about indifference to fame) and Shakespeare
, Thomson
, Savage
, and others as chapter-headings. She sets her novel around the lakes of Killarney in Ireland. Antonia is... |
Intertextuality and Influence | Dorothea Primrose Campbell | She dedicated the volume to Jane, Duchess of Gordon
. Gordon was well known as a social and political mover. Her reputation included great beauty, quick repartee, excellent business sense, astute match-making, and also coarse... |
Intertextuality and Influence | Anne Grant | When it was printed, each of its five parts was headed with a prose Argument. In a style reminiscent of James Thomson
(whose name is invoked Grant, Anne. Poems on Various Subjects. Printed for the Author by J. Moir, 1803. 40 |
Intertextuality and Influence | Emily Frederick Clark | The title-page of the first volume quotes Mary Robinson
writing on the heart's sufferings, and that of the last volume quotes James Thomson
on the eventual reward for suffering of the noble few. The... |
Literary responses | Mary Collier | Donna Landry
, in her pioneering book about labouring-class woman poets, attributed to MC
a religious conservatism which she said she would rather believe that Collier was assuming to please her patrons. She nevertheless finds... |
Literary responses | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
Literary responses | Elizabeth Tollet | ET
's reputation persisted for some time after her death. Mary Scott
praised her highly in The Female Advocate, 1774. John Duncombe
(though her posthumous publication was too late for inclusion in his Feminiad... |
Literary responses | Sarah Wentworth Morton | Julie Ellison
, who traces in Ouâbi the influence of male British poets like Thomson
and Goldsmith
, and their sentimental, topographical, masculinist traditions, Ellison, Julie. “Race and Sensibility in the Early Republic: Ann Eliza Bleecker and Sarah Wentworth Morton”. Subjects and Citizens, edited by Michael Moon and Cathy N. Davidson, Duke University Press, 1995, pp. 57-86. 60 |
Literary Setting | Susanna Blamire | This topographical poem in heroic couplets has many remarkable features: an early description of urban industrial conditions (as the poet opens by turning her back on the town for the village); a catalogue of flowers... |
Occupation | Frances Seymour Countess of Hertford | Among writers who received Lady Hertford's patronage were Elizabeth Singer Rowe
, Elizabeth Boyd
, Elizabeth Carter
, Mary Chandler
, Isaac Watts
, Laurence Eusden
(for whom she set topics of occasional poems), James Thomson |
Reception | Jane Austen |
No timeline events available.
No bibliographical results available.