Thomas Hardy
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Standard Name: Hardy, Thomas
TH
was a poet by vocation and became a novelist by profession. The Wessex of his novels has made him arguably a regional novelist. As well as a prolific output in both these forms, he published a unique verse epic bringing together human and supernatural characters, short fiction, a volume for children, and two volumes of actual autobiography masquerading as a biography by his second wife. Since his career as a publishing novelist ran from the 1870s to the 1890s, and his first volume of poetry post-dated his final novel, he has been seen as a Victorian novelist but a mostly twentieth-century poet. This description, however, is not true to the facts of composition. He wrote poetry from early in his life, but did not publish it in volume form until his final novel.
Connections
Connections Sort descending | Author name | Excerpt |
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Reception | Lucy Walford | |
Textual Features | Frances Hodgson Burnett | The male protagonist, James Murdoch, an awkward and rough Lancashire factory owner, is considered by Gretchen Gerzina
to be an uncanny prefiguration of Thomas Hardy
's Henchard, Mayor of Casterbridge (in his novel of 1886). Gerzina, Gretchen. Frances Hodgson Burnett. Chatto and Windus, 2004. 84 |
Textual Features | John Oliver Hobbes | A number of critics note similarities between Hobbes's novel and Thomas Hardy
's Jude the Obscure. It is possible that the two friends discussed their novels, both of which began serial publication in December... |
Textual Features | Philip Larkin | |
Textual Features | Lady Cynthia Asquith | Her authors are mostly well-known: Hardy
, Barrie
, Sir Henry Newbolt
, Hilaire Belloc
, Hugh Lofting
, and Walter de la Mare
, apart from two stories by herself. Beauman, Nicola. Cynthia Asquith. Hamish Hamilton, 1987. 286 Colles, Hester Janet. “A Gallery of Children”. Times Literary Supplement, No. 1245, 26 Nov. 1925, p. 804. 804 |
Textual Features | Louise Page | The story is of local interest. The eighteenth-century protagonist, Francis Herries, moves his family from Doncaster to a crumbling manor house in Borrowdale, home of a reputed witch. He also defies social rules by... |
Textual Features | Alice Oswald | In a short introduction AO explains that her goal is the deep, slow process that put[s] our inner worlds in contact with the outer world. This process, she says, is dying out as repetitive physical... |
Textual Features | Ada Leverson | In this novel Valentia Wyburn, another clever woman, has been five years married and has a lover (though their sexual relationship is never particularised) besides her husband. But she breaks with him when she discovers... |
Textual Features | Rosamund Marriott Watson | The title poem, which first appeared in the January 1889 issue of Harper's Magazine, reworks the familiar swan-maiden story. Hughes, Linda K. “Fair Hymen holdeth hid a world of woes: Myth and Marriage in Poems by Graham R. Tomson (Rosamund Marriott Watson)”. Victorian Poetry, Vol. 32 , No. 2, 1 June 1994– 2024, pp. 97-120. 101 |
Textual Features | Elizabeth Daryush | She opens and closes the collection with two poems printed in italics. Her list of titles provides their opening words: an unnumbered poem placed before number one (from the first Verses) and another unnumbered... |
Textual Features | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Textual Features | Laetitia-Matilda Hawkins | With this novel LMH
perfected her sagely meditative narratorial voice (which looks forward to George Eliot
and Thomas Hardy
). She chose a plot of many characters and complicated interlocking machinations. Her initially unappealing heroine... |
Textual Features | Martin Ross | This novel puts its female characters at the centre. Its tightly-interwoven social fabric is reminiscent of George Eliot
; its slow-burning, enduring passions suggest Thomas Hardy
. The way that animals are used as subsidiary... |
Textual Production | Elizabeth Jolley | EJ
invoked as an appropriate description of her own motivation, Flaubert
's dictum that writing comes from an inner wound. Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol. 15 , No. 2, 1993, pp. 37-43. 40 |
Textual Production | Emma Tennant | Her title, borrowed from that of a poem of pure nostalgia by Thomas Hardy
, suggests the irony with which her protagonist is to be disillusioned over the country-house ideal. The second title in the... |
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