Thomas Hardy
-
Standard Name: Hardy, Thomas
TH
was a poet by vocation and became a novelist by profession. The Wessex of his novels has made him arguably a regional novelist. As well as a prolific output in both these forms, he published a unique verse epic bringing together human and supernatural characters, short fiction, a volume for children, and two volumes of actual autobiography masquerading as a biography by his second wife. Since his career as a publishing novelist ran from the 1870s to the 1890s, and his first volume of poetry post-dated his final novel, he has been seen as a Victorian novelist but a mostly twentieth-century poet. This description, however, is not true to the facts of composition. He wrote poetry from early in his life, but did not publish it in volume form until his final novel.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Stella Gibbons | Such earthy regionalists—who include Thomas Hardy
and D. H. Lawrence
, as well as Webb
and Kaye-Smith
—become the butt of SG
's satire in Cold Comfort Farm. Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury, 1998. 66, 112 |
Intertextuality and Influence | Violet Hunt | VH
was fascinated by the mysterious throughout her life. As a small girl, she loved to listen to her mother talk about the White Lady, a spirit haunting the kitchen of Margaret Hunt
's... |
Intertextuality and Influence | Alice Munro | Carried Away begins with two lonely young people building an unlikely relationship by letter. Louisa, town librarian of Carstairs, Ontario, in 1917, lives in a hotel and eats her solitary meal each day with... |
Intertextuality and Influence | Phyllis Bentley | The title, from Hardy
, carries connotations of blind, indifferent fate directing the course of human existence. |
Intertextuality and Influence | Sarah Waters | Nance is almost a colourless character apart from her capacity for passion. (In an apparently non-literary book, a tradition of steamy fiction is evoked when her desire to make Kitty sorry makes her think of... |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Kathleen Jamie | In the third section the transcendental is a frequent presence. (Even in the first, Lepidoptery was about collecting, and pinning by the wings, not butterflies but angels.) Now in a number of markedly topical poems... |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Leisure and Society | May Crommelin | MC
was a member of the Albemarle Club
. Who Was Who in Literature, 1906-1934. Gale Research, 1979, 2 vols. vol. 1 |
Leisure and Society | Lucas Malet | Schaffer writes that she re-invented herself by means of her change in appearance between 1892, when Thomas Hardy
found her tall and striking in looks and likeable in manner, and a decade later, when an... |
Literary responses | Sheila Kaye-Smith | This novel brought critical and popular acclaim. SKS
said that the weeks following its appearance were some of the happiest of her life. Walker, Dorothea. Sheila Kaye-Smith. Twayne, 1980. 85 |
Literary responses | Charlotte Mew | May Sinclair
thought Madeleine magnificent, having depths & depths of passion & of sheer beauty. qtd. in Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press, 2000. 191 Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press, 2000. 192 |
Timeline
No timeline events available.
Texts
No bibliographical results available.