Corp, Harriet. Familiar Scenes, Histories, and Reflections. Whittaker, 1821.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Ann Yearsley | AY
's mother and elder brother both guided her early development towards bookishness. Their small store of books included Edward Young
's Night Thoughts, an importance influence on her poetry. |
Intertextuality and Influence | Anna Maria Mackenzie | The epigraph on the first title-page is the sonnet by Queen Elizabeth
beginning The toppe of hope, now generally known by the title of Doubt of Future Foes. The second volume's title-page is... |
Intertextuality and Influence | Harriet Corp | HC
's first title-page bears a quotation from Edward Young
. Her introductory address apologises for imperfections which she trusts the critical reader to overlook, and says she means her work primarily for the younger... |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Edward Young
on the dangers, for a woman, of love. An Advertisement calls the author only an editor of a French original, but says so many changes have been made that little... |
Intertextuality and Influence | Harriet Corp | The title-page quotes Edward Young
. HC
comments approvingly on the spread of education for the poor, who are now admitted to that equality which God ordains in intellectual improvement. Corp, Harriet. Familiar Scenes, Histories, and Reflections. Whittaker, 1821. 2 |
Intertextuality and Influence | Catherine Talbot | This essay, an answer to number 11, which had taken the form of a letter from To-day, displays CT
's characteristic whimsical ingenuity. Night, claiming to be the elder sister of Today, defends dark... |
Intertextuality and Influence | Margaret Croker | |
Intertextuality and Influence | Anne Steele | The title-page of this first collection quotes from Edward Young
's Night Thoughts. Its two volumes contain most of AS
's striking hymns: metrically inventive and vividly imagistic. The figure of Christ evokes fervent... |
Intertextuality and Influence | Mary Deverell | |
Intertextuality and Influence | Anne Steele | Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton
, Gray
, Edward Young
. She imitates Pope
on solitude, writes first of James Hervey
's... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mrs Ross | MR
's title is a complex literary allusion. The tragic heroine of Nicholas Rowe
's The Fair Penitent, 1703, tells her unwanted fiancé that their hearts were never paired above . . . joined... |
Occupation | Lady Mary Wortley Montagu | LMWM
acted as patron to a number of writers (all male so far as is known), most notably Richard Savage
and Henry Fielding
, but also Edward Young
and Samuel Boyse
. Books to which... |
Publishing | Mary Julia Young | MJY
translated Lindorf and Caroline; or, The Danger of Credulity in March 1803, from the German allegedly of Karl Gottlieb Cramer
, though more likely of Christiane Benedicte Eugenie Naubert
. She dedicated it to... |
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