Amelia Opie

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Standard Name: Opie, Amelia
Birth Name: Amelia Alderson
Married Name: Amelia Opie
Pseudonym: N.
AO , who was publishing at the end of the eighteenth century and during the earlier nineteenth century, is best known as a novelist, but was also a dramatist, poet, and short-story writer. The opinions expressed in her writings are often reactionary in gender terms, though she was brought up a Unitarian and later became a Quaker and an active Abolitionist.
Photograph of a painting of Amelia Opie by her husband, John Opie, 1798. She is depicted from the waist up, against a background that is mainly dark with a landscape scene visible in the distance. She wears a simple white dress with a V-shaped neckline that is trimmed with white ruffles. Her brown hair is pulled back, with bangs, and a braid across the top, acting as a headband. She holds a straw hat wrapped in gauzy black fabric in her lap. National Portrait Gallery.

Connections

Connections Author name Excerpt
Publishing Anna Jane Vardill
The popularity of this formula had endured for generations, from Mark Akenside (The Pleasures of Imagination, 1744) and Thomas Warton (The Pleasures of Melancholy, 1747), through Samuel Rogers (The Pleasures...
Publishing Sarah Harriet Burney
While struggling to finish this work, SHB called it my own eternal rubbish
Burney, Sarah Harriet. The Letters of Sarah Harriet Burney. Editor Clark, Lorna J., University of Georgia Press, 1997.
130
and my long plague.
Burney, Sarah Harriet. The Letters of Sarah Harriet Burney. Editor Clark, Lorna J., University of Georgia Press, 1997.
153
By October 1811 she felt she had her plot organised and almost all her allocations of...
Reception Susan Ferrier
SF 's protagonists were included with those of Jane Austen , Frances Burney , Amelia Opie , Ann Radcliffe and others in W. D. Howells 's Heroines of Fiction, 1901.
Textual Features Elizabeth Cobbold
This collection features poetry by women such as Anna Maria Porter , Amelia Opie , Lucy Aikin , Elizabeth Carter , Anna Letitia Barbauld , Anne Hunter , Mary RobinsonCharlotte Smith , and EC herself.
Textual Features Elizabeth B. Lester
Both these novels feature French and Latin tags in their text, but lack epigraphs at the head of chapters. The Quakers, which Garside calls Opie -esque, is written in a confident, literary style and...
Textual Features Catherine Gore
The title-page quotes Byron pronouncing shame to the land of the Gaul.
Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827.
title-page
A preface combats the general prejudice against a single volume
Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827.
iii
by citing works of fiction which are short but widely admired...
Textual Features Mary Russell Mitford
MRM has no patience with Laetitia-Matilda Hawkins 's The Countess and Gertrude or with Byron 's Childe Harold.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols.
1: 133, 152
She despises Stéphanie-Félicité de Genlis as a delightful mixture of cant and affectation...
Textual Features Christian Isobel Johnstone
Johnstone's Edinburgh Magazine was heavily political in content, while Tait's was designed to have greater appeal to the general reader.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Between 1832 and 1846 (when she retired) CIJ contributed over four hundred articles to the...
Textual Production Ann Batten Cristall
That year Dyer also recommended ABC 's poems to Joseph Cottle of Bristol, and two years later, by May 1799, he proposed to supply Robert Southey with something by ABC , and something by Amelia Opie
Textual Production Jeanette Winterson
In 1986 JW supplied an appreciative introduction for Pandora 's edition of Amelia Opie 's novel Adeline Mowbray, 1805.
Winterson, Jeanette, and Amelia Opie. “Introduction”. Adeline Mowbray, Pandora Press, 1986, p. v - viii.
Textual Production Barbara Hofland
BH 's correspondence with Mary Russell Mitford (whose earliest surviving letter dates from 25 May 1820) reveals her as an active and eclectic reader. The two women exchanged responses to Anna Maria Porter , Amelia Opie
Textual Production Marguerite Gardiner Countess of Blessington
This work involved her in finding—and engaging in voluminous correspondence with—contributors (who often were or became her personal friends), such as Anna Maria Hall , Felicia Hemans , Amelia Opie , Mary Russell Mitford ,...
Textual Production Charlotte Nooth
His De la littérature des Nègres in its original form reflects internationalism, anglophilia, and perhaps even proto-feminism. The title-page quotes Mary Robinson . The roll of honour of white activists for abolition and racial equality...
Textual Production Sarah Scudgell Wilkinson
SSW published The Ruffian Boy; or, Castle of Waldemar. A Venetian Tale, which came from Amelia Opie by way of a stage adaptation in melodrama form that did well at the new Surrey Theatre
Textual Production Margaret Holford
The American-born British officer Spencer Thomas Vassall, aged forty, was mortally wounded while leading his troops at the storming of Montevideo on 3 February 1807. His body was brought home and buried at Bristol under...

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