Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Charlotte Maria Tucker | The Athenæum proclaimed, a more entertaining and salutary story for merry, scatter-brained, careless children has rarely been put on paper. Athenæum. J. Lection. 1843 (1863): 261 |
Literary responses | Lady Charlotte Elliot | In 1880 Theodore Watts
described this volume as unequal, and noted that the poet was later inclined to disparage her initial publication. Athenæum. J. Lection. 2726 (1880): 124 |
Literary responses | Christina Rossetti | CR
's critical reputation stood very high from the appearance of Goblin Market, although she was not a popular poet. H. Buxton Forman
in Our Living Poets, 1871, got her middle name wrong... |
Occupation | Walter Pater | While at Brasenose
, he wrote three anonymous essays for the Westminster Review: Coleridge
's Writings, Winckelmann, and The Poetry of William Morris. All three were attacked, says scholar Laurel Brake |
Occupation | Sylvia Pankhurst | SP
made very little money from artistic commissions, but devoted her talents in visual art to the Women's Social and Political Union
. She designed the cover of Votes for Women. Other artistic contributions... |
politics | Annie Besant | She was one of the key figures urging the protest to go ahead despite the order against public processions. It took place on 13 November. When the protesters arrived at Trafalgar Square, they faced... |
Publishing | Edna St Vincent Millay | In 1924 Frederic
and Bertha Goudy
printed a limited edition of the title-poem Renascence at their Village Press
, using the very hand press that William Morris
had used for the Kelmscott Chaucer
. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001. 320 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Jane Francesca Lady Wilde | JFLW
received £25 for the rights from William Morris
, and in December 1893 he signed one of three hundred copies from the new illustrated edition published by Kelmscott Press
. Melville, Joy. Mother of Oscar. John Murray, 1999. 256 |
Reception | Anna Swanwick | In 1858 AS
became one of the first female members of the Royal Institution
. The Institution, founded in 1799, calls itself on its website the oldest independent research body in the world, and has... |
Reception | Evelyn Waugh | The Times Literary Supplement review by Thomas Sturge Moore
, though prominent and lengthy, was more an essay on Rossetti than a review of the book in question, and was in any case not complimentary... |
Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
Reception | Vernon Lee | This book lost Lee the friendship of others who had admired her Studies of the Eighteenth Century in Italy. Broken friendships included those with Oscar Wilde
(refigured as the character Posthlethwaite), Jane
and William Morris |
Textual Features | A. S. Byatt | The author at the heart of this story is a children's writer, Olive Wellwood, who is married to a wealthy banker and lives in a Kentish farmhouse strangely called Todefright. The actual Edith Nesbit
,... |
Textual Features | Isabella Neil Harwood | The King and the Angel is INH
's attempt to dramatise a story told in Leigh Hunt
's Jar of Honey from Mount Hybla, 1848. The legend behind this story has given rise to... |
Textual Features | Muriel Jaeger | MJ
's introduction says that the world of this novel is a Bellamy-Morris-Wells world. qtd. in Stratton, Susan. “Muriel Jaegers The Question Mark, a Response to Bellamy and Wells”. Foundation, No. 80, 1 Sept.–30 Nov. 2000, pp. 62-9. 65 |
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