Mary Wollstonecraft
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Standard Name: Wollstonecraft, Mary
Birth Name: Mary Wollstonecraft
Married Name: Mary Godwin
Pseudonym: Mr Cresswick, Teacher of Elocution
Pseudonym: M.
Pseudonym: W.
MW
has a distinguished historical place as a feminist: as theorist, critic and reviewer, novelist, and especially as an activist for improving women's place in society. She also produced pedagogy or conduct writing, an anthology, translation, history, analysis of politics as well as gender politics, and a Romantic account of her travels in Scandinavia.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Inchbald | Nature and Art was praised in the Monthly and Critical Review, with polite endorsement of EI
's reputation. Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 16 (1796): 325 |
Literary responses | Stéphanie-Félicité de Genlis | SFG
's importance to the influential Mary Wollstonecraft
can be gauged from the way that Wollstonecraft used and built on her writings, recommended them, measured others by their standard, and also did not hesitate to... |
Literary responses | Charlotte Smith | An extensive notice, perhaps by Mary Wollstonecraft
, in the Analytical Review, says this novel is distinguished among others by its quality, yet shares their general tendency to debauch the mind Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 26 |
Literary responses | Elizabeth Inchbald | The Analytical reviewer, probably Wollstonecraft
, was unimpressed: insipid dialogues . . . the characters are uninteresting caricatures, and the incidents, childish tricks. Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 166 |
Literary responses | Anna Letitia Barbauld | J. W. Croker
's notice in the Quarterly Review (in June 1812, wrongly attributed by some to Southey
) was most offensive of all. He reached for the gendered weapons so often drawn against Mary Wollstonecraft |
Literary responses | Eliza Nugent Bromley | |
Literary responses | Phebe Gibbes | This novel aroused much interest. One letter was reprinted almost entire, without attribution, on 2 July 1789 in the Aberdeen Magazine as a Picture of the Mode of living at Calcutta. In a letter from... |
Literary responses | Hannah Cowley | Wollstonecraft
's very short review in the January 1792 Analytical ignored anything controversial, but noted the play's lively sallies . . . evanescent graces. Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 443 |
Literary responses | Charlotte Smith | Mary Wollstonecraft
, reviewing Ethelinde for the Analytical Review, praised Smith's sharp eye, as a member of the upper class herself, for that class's failings. The Critical praised her great merit overall (in story... |
Literary responses | Olive Schreiner | The book is a landmark text. In an introduction to an edition of 1968, Doris Lessing
(who first read it when she was fourteen) identified it as one of the few rare books .... |
Literary responses | Charlotte Lennox | Euphemia was reviewed by Thomas Ogle
in the Monthly Review, and in the Critical, the Analytical, and the European Magazine. Ogle was moderately laudatory, the Critical both laudatory and valedictory. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 511 |
Literary responses | Charlotte Perkins Gilman | According to Patrica Spacks
, CPG
displays no real sense of personal identity in The Living of Charlotte Perkins Gilman. She denies the implicit egotism of autobiography by insisting that the self is less... |
Literary responses | Charlotte Smith | The Critical Review, reviewing this book, called CS
a sister-queen qtd. in Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 141 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 548 |
names | Elizabeth Inchbald |
|
Occupation | William Godwin | The imprint M. J. Godwin and Company was launched the following year. The business flourished, becoming almost a literary salon like that of Joseph Johnson
: visitors included Germaine de Staël
. It remained, however... |
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