Knight, Ellis Cornelia. The Autobiography of Miss Knight. Editor Fulford, Roger, William Kimber & Co., 1960.
83
Connections Sort descending | Author name | Excerpt |
---|---|---|
Residence | Frances Trollope | She visited Ostend, Bruges, Ghent, Antwerp, and the battlefield of Waterloo. She also visited Charlemagne
's cathedral at Aiz-la-Chapelle or Aachen, as well as the Rhine and surrounding region... |
Residence | Ellis Cornelia Knight | ECK
, in her new position as lady of the bedchamber to Queen Charlotte
, became a resident of Windsor Castle. Knight, Ellis Cornelia. The Autobiography of Miss Knight. Editor Fulford, Roger, William Kimber & Co., 1960. 83 |
Textual Features | Maria De Fleury | |
Textual Features | Mary Deverell | |
Textual Features | Elizabeth Gaskell | An embedded narrative places the novel's main story at two removes from the reader, during the youth of the elderly internal narrator, which coincides with the French Revolution. The Revolution (which provides a further... |
Textual Production | Mary Collyer | After silent years MC
published a translation of The Death of Abel from the German of Salomon Gessner
, with a dedication to the queen
. Feminist Companion Archive. |
Textual Production | Sarah Scott | It reached a second edition within the year. Rizzo, Betty, and Sarah Scott. “Introduction”. The History of Sir George Ellison, University Press of Kentucky, 1996, p. ix - xlv. xliv |
Textual Production | Mary Robinson | MR
composed two remarkable political poems: The Birth-Day (about public celebrations for Queen Charlotte
) and January 1795, about the month's headline news. Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol. 9 , No. 1, 2002, pp. 9-22. 12-13 |
Textual Production | Adelaide O'Keeffe | The dedication imagines writers aspiring to the honour of influencing the baby Charlotte: I taught the maid! cries each exulting Muse. O’Keeffe, Adelaide. Llewellin. Cawthorn, 1799, 3 vols. prelims |
Textual Production | Mary Delany | The original manuscript, with the author's illustrations, is in the Lilly Library
, Indiana University
, while a fair copy made twenty years or so after composition, as a presentation gift to Queen Charlotte
is... |
Textual Production | Catherine Fanshawe | CF
was one of several women artists patronised by Queen Charlotte
. Another was Caroline Watson
, with whom Fanshawe sometimes worked. Strobel, Heidi A. “Women and Networks: Local and Transnational”. 42nd ASECS Annual Meeting, 18 Mar. 2011. In 2014 a small exhibition at the Fitzwilliam Museum in Cambridge, Caroline Watson... |
Textual Production | Henrietta Battier | Soon afterwards (though at a later age than the fifteen years which she claimed) she embarked on complimentary occasional verse in the form of an elegy for Lady Townshend
(wife of the then fourth Viscount and Lord Lieutenant of Ireland |
Theme or Topic Treated in Text | Elizabeth Gilding | Late in the volume the longest poem she had ever attempted, Diana, comes with 4-page prefatory Remarks by Daniel Turner
(F.): he says he wrote this classic of humble deference at her... |
Theme or Topic Treated in Text | Mary Harcourt | The printed diary begins with the crucial days during which the disturbed king gave signs of convalescence, just in time for the withdrawal of the Regency Bill which would have put the government into the... |
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