Wood, James. “Phut-Phut”. London Review of Books, 27 June 2002, pp. 11-12.
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Connections Sort descending | Author name | Excerpt |
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Textual Features | Kathleen Caffyn | This three-volume narrative opens on the childhood of Gwen and Dacre Waring, a sister and brother who grow up in a wealthy, intellectual and agnostic family. Their parents' unorthodox values do not, however, extend to... |
Textual Features | Virginia Woolf | Whatever the truth of that, she wrote in full consciousness of outsider status, both delight[ing] in the patriarchal anonymity of the TLS and simultaneously tilt[ing] at it. Wood, James. “Phut-Phut”. London Review of Books, 27 June 2002, pp. 11-12. 11 |
Textual Production | Susan Hill | SH
has successfully self-published, and makes extensive use of new media. She is active as both a blogger and a tweeter. In 2013 both Printer's Devil Court, her latest ghost story, and Crystal... |
Textual Production | Anne Marsh | |
Textual Production | Anne Thackeray Ritchie | Most of ATR
's unpublished manuscripts and letters are held by the University of London
and Eton College
libraries. Bloom, Abigail Burnham, editor. Nineteenth-Century British Women Writers. Greenwood Press, 2000. 333 |
Textual Production | Julia Frankau | |
Textual Production | Elizabeth Gilding | Her title was To the Gentleman, who under the signature Etonensis, addressed some fine poetic lines, containing a very genteel compliment to Mrs. T—r, of Woolwich. Cumbre had identified himself through this pseudonym, Etoniensis... |
Textual Production | Henry Green | HG
published the first of his nine novels, Blindness, about a student who loses his sight; it was based on a story he had written while still at Eton
. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press, 1996. 290 Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press, 1987. 237 |
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