Royal Literary Fund

Connections

Connections Sort descending Author name Excerpt
Textual Production Phebe Gibbes
PG seems not to have claimed Jemima. A Novel, which was advertised by William Lane of the Minerva Press in March 1795 as by the Author of Zoraida.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 641
The near illegibility...
Textual Production Mary Matilda Betham
Some time after printing her Vignettes: in VerseMMB was planning a book to be called Crow-Quill Flights. A certain incoherence of style in the preface (which is all that survives) suggests that it...
Textual Production Phebe Gibbes
PG told the Royal Literary Fund later that she had written a novel of this title for the credit and emolument of another hand dec[ease]d: the Mrs Phillips in question, who according to the title...
Textual Production Phebe Gibbes
PG told the Royal Literary Fund this year that she had written novels, dramatic pieces, and several little periodical works. She also offered them Two Little Dramas to publish for the Fund's own benefit.
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Mary Julia Young
A three-volume, anonymous Minerva novel, The Family Party, 1791, has also been widely ascribed to MJY since Dorothy Blakey first made the attribution in 1939 from a Minerva catalogue of 1814.
Blakey, Dorothy. The Minerva Press 1790-1820. Oxford University Press, 1939, p. 337 pp.
153
This seems...
Textual Production Emily Frederick Clark
The title of this work changed several times during the course of composition. This book must have been the Moral Tales she mentioned to the Royal Literary Fund in 1811 as her fifth work, then...
Textual Production Phebe Gibbes
This year PG asked the Royal Literary Fund for financial help to transcribe illegible manuscripts which she might then be able to sell. She slightly underestimated the forty years she had been writing. She said...
Textual Production Mary Julia Young
MJY reported to the Royal Literary Fund that she had selected and translated a collection of extracts from works by Voltaire : Voltairiana, 1805, in four volumes.
Batchelor, Jennie. Women’s Work: Labour, Gender, Authorship, 1750-1830. Manchester University Press, 2010.
161-2
Lloyd, Nicola. “Mary Julia Young. A Biographical and Bibliographical Study”. Romantic Textualities, No. 18, 1 June 2008– 2024.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production Emily Frederick Clark
In 1812 EFC told the Royal Literary Fund that she was working on Rosamond, or Love in Sicily (presumably a novel, not known to have been published); a few years later she was proposing to...
Textual Production Mary Julia Young
Writing to the Royal Literary Fund , MJY was predictably humble and self-depreciating about her writing. She said her novels were riddled with numerous typographical errors made by their publishers, which she was powerless to...
Textual Production Henrietta Rouviere Mosse
To the Royal Literary Fund she boasted the following March, both about her patronage from the marchioness and the fact that this book had brought her thirty pounds. But she still needed to ask for...
Textual Production A. Woodfin
The anonymous epistolary novel The History of Eliza Musgrove, published by June 1769, is ascribed to AW in some sources; but Phebe Gibbes claimed it as her own work in a letter to the...
Textual Production Henrietta Rouviere Mosse
HRM sent two sets of recent works (it is not known which) to the Royal Literary Fund , saying she had completed them in 1825-6 while recovering from a recent illness. When after her husband's...
Textual Production Henrietta Rouviere Mosse
HRM mentioned to the Royal Literary Fund on 13 March 1830 several works in progress which she probably never finished. There were three volumes of moral and entertaining tales founded on fact, and another work...
Textual Production Eliza Nugent Bromley
ENB mentioned to the Royal Literary Fund that she had written a play and an opera, but both remained unpublished, and neither has been traced.
Archives of the Royal Literary Fund, 1790-1918.
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