Heinemann

AC 's association with the publisher William Heinemann of London began with the publication of A Marked Man. Although she published with several other companies, Heinemann remained her primary publisher from this time.

Hope's poetry continued to appear in new editions well after her death. Laurence Hope's Poems, 1907, collected some stray pieces not about India; it was dismissed by Harold Williams as too inferior to mention...

She originally titled the book Equipment, but on the advice of F. Tennyson Jesse (a reader for her publisher, Heinemann ), the title was changed. EMD had wanted a pseudonym to distinguish herself from...

The manuscript was rejected by Unwin and Heinemann before her friend John Lane accepted it for somewhat questionable reasons: It is always very pleasant to accept the MS of a new riter [sic] but it...

It took her three years to find a publisher willing to take on its controversial subject-matter.Blackwood refused it. George Meredith , as a reader for Chapman and Hall , rejected it, advising SG

Heinemann now became her regular publisher for several years.

Reviewers judged EA 's subsequent novels to be largely forgettable. Macmillan published her Introduction to Sally in 1926 (a comedy which is Pygmalion-like but not otherwise Shavian ); her Expiation in 1929 (an exploration...

Pressed for money, GH sold three of her most valuable copyrights (this book, These Old Shades, and Devil's Cub) to Heinemann for a total of only £750.

EF wrote her first novel at about twelve, on loose paper which she then stapled together. She called it The Gatecrashers. As an undergraduate at Newnham , she wrote a novel about the...

SG 's publisher, Heinemann , priced the novel at six shillings.

She had sent The Squirrel, the Hare and the Little Grey Rabbit unsuccessfully to several publishers before Heinemann . It became a book of 111 pages, with 29 colour illustrations. AU recommended Dorothy Hutton as...

Before appearing in book form it was serialized in McClure's Magazine from February to April under the title Alexander's Masquerade, forming, according to Marilee Lindemann , a kind of coda to the magazine's...

Her agent J. B. Pinker sent the manuscript to William Heinemann , who agreed to publish it on the condition that Hunt should change its ending: she would not find an audience, he insisted, for...

As she listened to the stories of people living in squalor and desperation she realised, I lived by the pen, and so I must eventually stop looking and listening and go home and shut myself...

Heinemann , the publisher of Gosse's translation, had secured the English rights to the play, thereby preventing Archer from writing his own translation. Instead, Archer persuaded ER and actress Marion Lea to get Heinemann's permission...